Yeldham’s work is a mapping of multiple realities. It charts the artist’s travels among the mangroves, the disused oyster leases and along the salty foreshores near Pittwater. Yeldham’s cartography moves within this world and without. He is not limited by the materiality of reaching tree limbs or the muddy matter of swamps. His paintings and photographic works move beyond the human-perceived environment. Instead, he deliberates on the fragile spaces in between, the liminal places in his heart and mind where imagination soars and intellect sings. He says, ‘the space between two lines is what connects us.’
Excerpt from Surrender Tree (2013) catalogue essay by Prue Gibson.